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Driven by the wind - Alabaster - 2024
This sculpture questions the alliance between transparency and veining, between strength and fragility.
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The bust, full of transparency and movement, seems to contradict the back arched and full of strength. -
Creep, my chrysalid - Alabaster crust - 2024
Looking for the perfect imperfection, the moment where what could be terrible becomes exalting, where the crack perfects the emotion and the blur reveals more than it conceals.
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Alabaster crust (usually discarded because of its cracks, but their fragility can hide incredible veins). -
memorial garden OF THE VILLAGE OF FERLENS - 2023
The central sculpture in the Ferlens memorial is inspired by the lightness, fluidity and whiteness of the potato flower, depicted on its coat of arms. It is carved from a block of Cristallina marble, a white marble veined with brown and black - a Swiss marbles (from Ticino) - and was also one of the tombstones I reused.
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Louise - Alabaster - 2022
Initially a portrait commission, but when I combined it with the incredible veining of this alabaster slab, magic happened....
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So strange Mermaid- White Carrara marble and absolute black Granite -2022
Slowly the marble comes alive, the torso gets longer, the back arches. The forms seem stretched to the point of tearing…
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Duality... Alabaster - 2022
There are works that resonate within oneself and become difficult to finish, and event to put words on. Yet this is one of my most sensitive and accomplished works.
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(Carved in a block called "waste" because it was clefted) -
Coeur à corps... 2021
Albâtre (sculpture taillée dans un bloc dit "de rebut" car trop veiné et pourtant tellement beau! )
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Just a tear rolling down the cheek... IN CHAOTIC LANDS - Bardiglio grey marble (Italy) 2021
How could I have explained that I couldn't stop until a tear rolled down her cheek, until the mark left by this last year could be seen on her mouth, the concern on her forehead... while the sky gets reflected on the cracked ground.
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sECOND WAVE… IN CHAOTIC LANDS – LOUISE BLUE QUARTZITE (BRAZIL), RESIN AND GOLD LEAF, 2020
A first wave that pushes us away, a second one that bristles our hair, nevertheless the beauty persists.
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I made this sculpture in the secrecy of my workshop during the second semi-confinement. She retraces the emotions I faced during this period. -
RECUMBENT… IN CHAOTIC LANDS – DARK EMPERADOR MARBLE (TURKEY), RESIN AND GOLD LEAF, 2020
THere you are, finally done. This sculpture addresses the tormented times we’ve been going though, our impact on planet earth and how we interact with her.
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BLACK BLOOD UNDER WHITE SKIN – WHITE CARRARA MARBLE AND RESIN, 2020
A few years ago, I worked during four years with a historian on a slavery anthology. I knew that some day or another, this experience would result in an artwork.
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IN CONFINED LANDS – BLACK MARBLE (Belgium), RESIN AND GOLD LEAF, 2020
This artwork expresses on one hand, the difficulty to find a breath of fresh during the confinement period. On the other hand, she adresses the interaction between the pressure we put on our planet and our difficulty to live with the latter.
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When will we find harmony? -
IN ANDALUSIAN LANDS – WHITE CARRARA MARBLE, 2020
Cracked, clefted and torn lands,
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Under the constant pressure
Of a being so perfectly human,
So marvelously human,
So terribly human. -
TO OUR DISTANT LOVE – WHITE CARRARA MARBLE 2020
To this wordless moment…
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To the impossible dreamed day…
To that hollowness in our stomach…
To your breath…
To your smile. -
Double Je - Alabaster 2019
Between who we are and who we think we are, what we show others, our different states...
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Two female busts nested together, one of them fleshed out, the other fleshed in, one of them young, the other less; sending us back to our eternal duality -
INNER-TEMPLE – WHITE MARBLE (Turkey), 2019
The geometry of the visual fortress we let the others perceive, facing the folding’s of a drape referring to our inner-life, the suppleness of our skin, our mere humanity.
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Four sides representing the four ages of life and the faces of our personality… -
VARIATION OF TAKING FLIGHT – WHITE MARBLE (TURKEY), 2018
The thin veining of Turkish white marble seems to palpitate and show through the milky veil of the rock, like skin, subliming the curves of this impossible being…
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